Winslow Homer

First Day of Issue: August 12, 2010 | Richmond, VA 23232
The ninth issuance in the American Treasures series features Boys in a Pasture, an 1874 oil-on-canvas painting by Winslow Homer. The painting is part of the Hayden Collection at the Museum of Fine Arts, Boston.
According to the Museum of Fine Arts, “the boys in this painting—companionable, idle, at peace—may be seen as emblems of America's nostalgia for a simpler, more innocent time as well as of its hope for the future. Their faces are averted, a device Homer often used to make his figures less individual and, therefore, more universal.”

The ninth issuance in the American Treasures series features Boys in a Pasture, an 1874 oil-on-canvas painting by Winslow Homer. The painting is part of the Hayden Collection at the Museum of Fine Arts, Boston.

According to the Museum of Fine Arts, “the boys in this painting—companionable, idle, at peace—may be seen as emblems of America's nostalgia for a simpler, more innocent time as well as of its hope for the future. Their faces are averted, a device Homer often used to make his figures less individual and, therefore, more universal.”

Winslow Homer Beyond the Perf
The ninth issuance in the American Treasures series features Boys in a Pasture, an 1874 oil-on-canvas painting by Winslow Homer. The painting is part of the Hayden Collection at the Museum of Fine Arts, Boston.
According to the Museum of Fine Arts, “the boys in this painting—companionable, idle, at peace—may be seen as emblems of America's nostalgia for a simpler, more innocent time as well as of its hope for the future. Their faces are averted, a device Homer often used to make his figures less individual and, therefore, more universal.”

The ninth issuance in the American Treasures series features Boys in a Pasture, an 1874 oil-on-canvas painting by Winslow Homer. The painting is part of the Hayden Collection at the Museum of Fine Arts, Boston.

According to the Museum of Fine Arts, “the boys in this painting—companionable, idle, at peace—may be seen as emblems of America's nostalgia for a simpler, more innocent time as well as of its hope for the future. Their faces are averted, a device Homer often used to make his figures less individual and, therefore, more universal.”

2009-12-14 Winslow Homer http://www.beyondtheperf.com/sites/default/files/teaser-images/Homer-THUMB.jpg 5